Elizabeth Boyden April 17. 1821.
Saraden School. Staffordshire
This carefully constructed sampler is worked entirely in cross stitch on a cream wool ground with an attractive stylised floral border and a long central verse inscribed ‘An address to the Deity’.
Contained in the original rosewood frame.
Framed Size. 20 x 17 ins.
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Frances Hesselwood. 1804.
HARMONY
This beautifully executed 'extract' sampler shows the influence of Quaker teaching and the spread of the Ackworth style in the clear calligraphy of the text. Worked with black thread on a cream wool ground and contained in the original frame.
Framed size: 38 x 33 cm. (15 x 13 ins.)
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Flight to Egypt
This rare pictorial sampler, worked in silk, wool and hair is clearely from the same 'school' as one illustrated in The Lady Lever Art Gallery. Catalogue of Embroideries. No LL5332. Page 228. The Holy Family. The naive depiction has great charm and a strong visual impact.
The name is partly indistinct but possibly reads Eliza Rebekah Marchman. Aged 12, in the year 1815.
Framed size: 41 x 51 cm (16 x 20 ins)
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Lydia Hope. 1801.
Although we have been unable to positively identify Lydia Hope this finely wrought piece is one of a known group of distinctive samplers clearly worked under the guidance of the same teacher.
Framed Size. 23 x 17 ins
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Emily. Late 19th century.
Four small work book sewing samples demonstrating various techniques and stitches
Framed size: 13 x 9 in
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M.C. Mid 17th Century
A good band sampler worked on unbleached linen with coloured silks.
Framed size: 79 x 28 cm (31 x 11 ins).
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